Half of a Yellow Sun film boasts a 1960s wardrobe that calls to mind recent screen productions like Mad Men. It’s universally known that whether in a film or a novel, so much of storytelling takes place on the bodies of characters. That’s why the costume designer is as much a storyteller as the screen writer or the director. Biyi Bandele and his team should be applauded for bringing Jo Katsaras on board as the costume designer. HOAYS is a period piece, so there was no way the production team could get away with skimping on costume design.
The Cyprus-born South African designer is known for the beautifully evocative costume design of HBO’s No. 1 Ladies Detective series set in Gabarone, Botswana. In HOAYS, she presents a rich ensemble of garments and accessories that capture everything from the soigne Lagos socialites of the ’60s to the sadness and austerity of life during a time of war.
Generally, the style of the clothing in HOAYS is ladylike silhouettes. Katsaras sticks to sheath, shift and fit-and-flare. However, she uses semi-fitted versions of these styles rather than the motion constricting figure-hugging silhouettes we see today. The result is an effortless elegance in the styling.
The skirts tend to be A-line or semi-fitted. Although the mini skirt was introduced in the 1960s, the trend doesn’t seem to feature prominently in the film. Katsaras seems to have opted for knee length skirts for most of the characters.
As far as fabric goes, expect to see floral patterns and metallic hues. Lace is also featured as seen in Olanna’s wedding dress. Odenigbo and Richard’s print shirts, including Ogwu’s Ankara print tunics are all evocative of the obsession with prints and patterned fabric that defined the decade. So are Odenigbo’s skinny tie and his rugged pair of mod shorts.
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