My work is focused on confronting a culture of suppression and silence on issues around women’s physical and mental health, body autonomy and sexual harassment in a bid to create safe spaces where conversations could be held freely.
Can you tell us a bit about your background?
— My name is Tonia Nneji. I was born in Imo State, Nigeria and I come from a long line of traditional carvers and masquerade carriers. Following the family tradition of artistry, I graduated with a B.A (Hons) in Visual Arts from the University of Lagos, Nigeria in 2016.
How would you describe your artistic practice?
— My recent paintings show women’s bodies in various stages of movement draped with colourful, intricately detailed swathes of print fabric. This preoccupation with body forms and textile material navigates cultural and social meanings of fabric in contemporary African societies while exploring the protective qualities of clothing. I use drapery as a tool of hiding, to represent protection, a safe place. Drawing from my experience in dealing with personal health issues, my work is focused on confronting a culture of suppression and silence on issues around women’s physical and mental health, body autonomy and sexual harassment in a bid to create safe spaces where conversations could be held freely.
Can you talk about your work included in this exhibition?
— The works presented in the exhibition explore significant moments throughout my journey. It is an invitation into a world of trauma and
*The views of the above article are those of the author and do not necessarily reflect the views of Africa Speaks 4 Africa or its editorial team.